S i w a n  R h y s

Will Hunt receiving applause after the performance of his In the Moor Light for piano and percussion at The Forge
Lemon Yellow Photography

Experimenting with harmonics with Will Hunt at Craxton Studios
Lemon Yellow Photography

Performing Cage's Credo in US with Craig Apps, George Barton, and James Leveridge
Scala, London
Photo by Dimitri Djuric

Workshopping a piece by Francesca Simmons for piano, boxing gloves, saucepans and slide whistle at Rambert Dance

Preparing for Matthew Barley's Living Programme Note for Shostakovich's Cello Concerto No 1 at Peckham Rye Car Park/Bold Tendencies with the Multi-Story Orchestra
Photo by Ambra Vernuccio

What We Do by William Cheshire for piano and percussion with LCDS dancers (George Barton, percussion) at The Place
Photo by Andrew Lim

The workstation for recording Mark Darvill-Evans' piano album 'Clouds' at the Institute for Sound Recording, Surrey University

Andriessen's De Staat with Multi-Story Orchestra at Peckham Rye Car Park/Bold Tendencies
Photo by Ambra Vernuccio

Richard Uttley, Siwan Rhys and Kate Whitley discussing Kate's Five Tiny Piano Pieces
Lemon Yellow Photography

After the performance of Ji Sun Yang's piano and percussion piece Récollections at The Forge
Lemon Yellow Photography

Final discussions with Fran le Lohé ahead of the performance of her Saida Portraits at The Forge
Lemon Yellow Photography

Rehearsing the Podskok Variations at LSO St Luke's for Raymond Yiu's birthday concert 'The Rare, The New, The Wonderful' as part of LSO Soundhub
Photo by Malcolm Crowthers